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SCHOLARSHIP

Email me a request for a more detailed Curriculum Vitae
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PUBLICATIONS

"Man to Man: Music and Masculine Relations in Miklós Rózsa’s score for Ben-Hur.” A Companion to Ancient Greece and Rome on Screen. Edited by Arthur Pomeroy. Hoboken, NJ: John Wiley and Sons, Inc. (August 2017): 351–384
Audible Interiors: Music and Emotion in the Hollywood Film Score.” The Avid Listener Blog, W. W. Norton  & Company, Inc., 16 March 2010
Strange Voices: Subjectivity and Gender in Forbidden Planet’s Soundscape of Tomorrow.” Journal of the Society for American Music, 8, Special Issue: Music and Sound in American Cinema, 1927–1956, n. 3, (August 2014): 371–400
"Music, Gender and the Politics of Performance in Singin' in the Rain." Colby Quarterly, 36, n. 4 (December 2000): 295-318

CONFERENCES/LECTURES

“An Island in the Abyss of Freedom: Symmetry and Process/Theory and Practice in My Recent Compositions”

MSA 2014   |   CANZ 2014   |   Cornell University 2013   |   Syracuse University 2013

New Zealand Symphony Orchestra pre-concert talk, “Leaping off the Screen: Tracing the Evolution of Tan Dun’s Crouching Tiger, Hidden Dragon Concerto”

Wellington, New Zealand 14.2.2013   |   Auckland, New Zealand 15.2.2013

New Zealand Symphony Orchestra pre-concert panel, “Fritz Lang’s 1927 film Metropolis”

Wellington, New Zealand 5.11.2011   |   Auckland, New Zealand 12.11.2011

“Music and the Modern Subject in Hitchock’s Psycho.” 

Syracuse University 2013 (Read the Review)  |   Eastman School of Music 2013   |   AMS 2012   |   Syracuse University 2013   |   NZMS 2011

“Roman Forum: Music and Masculinity in Miklos Rozsa’s Score for Ben–Hur (1959)”

NZMS 2012   |   IMS Rome 2012

“Hollywood ‘Liebestod’: Music and Masculinity in Jean Negulesco’s Humoresque”

University of Delaware 2008   |   NZMS 2006   |   SEM 2006   |   AMS 2005

“Electronic Music, Modernism and the Body in Forbidden Planet” 

University of Maryland 2003   |   AMS 2001   |   RMA 2001   |   AMS 2005

"Voice-over/Voice Under; or, The Not-So-Silent Star of Billy Wilder's Sunset Boulevard"

AMS 1998   |   SEM College of William and Mary 1998   |   FTM 1997   |   University of Wisconsin–Madison 1997

“Music, Gender and the Politics of Performance in Singin' in the Rain”
“Crossing Time Zones: Time and Music in Nixon in China”

SCI 1996   |   AMS Chapter Meeting - Richmond, VA 1996

Lyrica Society 1996

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